35 results for You searched for crossroad (borderline experience), genre (Array), language (Danish, English, German, Swedish), page 1 of 4

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crossroads:
borderline experience, gender, sexuality, violence
genre (subgenre):
Performing Arts (performance)
information provided by:
House of World Cultures

Born in Belgrade in 1946, Marina Abramoviç is one of the most important performance artists of our time. In her performances she tests social taboos and her body´s limits of endurance. For Marina Abromoviç the body is raw material for artistic, aesthetic and ethical practice. After...

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other language:
deutsch
Crossroads:
Gender, Gewalt, Grenzerfahrung, Sexualität
Genre (Subgenres):
Performing Arts (Performance)

Die 1946 in Belgrad geborene Marina Abramoviç ist eine der bedeutendsten Performance-Künstlerinnen unserer Zeit. Sie testet in ihren Kunstaktionen die Grenzen der Belastbarkeit des eigenen Körpers genauso aus wie gesellschaftliche Tabus. Der Körper ist für...

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Marina Abramoviç

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crossroads:
borderline experience, chaos, contrast, dream, laughter, rebellion, transformation
genre (subgenre):
Media Arts (video)
Performing Arts (installation, performance, physical theatre, ritual, theatre)
Visual Arts (video art)
information provided by:
Intercult

Absurdist theatre group Akhe from St. Petersburg pushes theatre to its limits. Challenging theatrical creativity with extreme minimalistic props and funding; this avantgardistic troupe explodes on stage. Their shows are in a constant state of flux and sometimes change from performance to...

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 Akhe Theatre

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additional names:
Mikhalchuk
crossroads:
ambivalence, borderline experience, gender, identity, power
genre (subgenre):
Visual Arts (installation art, photography)
Written and spoken word (poetry, Verse)
information provided by:
Visiting Arts

Anna Alchuk is a poet and an artist who works in video, visual poetry, installation and photography. Her interests lie in the visual manifestations of the collective unconscious of Russia during the Soviet era and today. She reconstructs and re-sites existing images of men and women, or invites...

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Anna Alchuk

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crossroads:
apartheid, borderline experience, exclusion, justice, reality
genre (subgenre):
Visual Arts (Conceptual Art, installation art, participation art, performance, portrait, sculpture, video art)
information provided by:
House of World Cultures

"I believe in shamanistic art, in working with one´s outer and inner worlds and learning about oneself amid the universe, amid others and amid the many ´selves´ - people, animals and plants. This will change my picture of the world, or worldview, on a number of occasions, no doubt, as I...

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other language:
deutsch
Crossroads:
Außenseiter, Ausgrenzung, Gerechtigkeit, Grenzerfahrung, Realität, Spiritualität
Genre (Subgenres):
Bildende Kunst (Bildhauerei, Installation, Konzeptkunst, partizipatorische Kunst, Performance, Porträt, Videokunst)

„Ich glaube an die Kunst, die aus dem Schamanismus entstanden ist, an die Arbeit mit der Welt rundum und mit meiner Welt (in der Mitte), an das Kennenlernen seiner selbst in Bezug auf den Kosmos und in Bezug zu den Anderen. Seiner selbst unter vielen „Ichs“ – Menschen, Tiere, Pflanzen. Das wird mit...

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Pawel Althamer

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crossroads:
borderline experience, crime, love, media, Patriotism, Society, terrorism, transformation, transgression, trauma, violence, war
genre (subgenre):
Visual Arts (Film)
information provided by:
House of World Cultures

"I come with a beard," he texts, shortly later the door opens to Café Sankt Oberholtz in Berlin’s Mitte. He storms inside, dressed in a simple parka and long black hair, the very image of Ché Guevara. It is not just the beard. The man glows like a revolutionary. He sits down...

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other language:
deutsch
Crossroads:
Überschreitung, Gewalt, Krieg, Liebe, Medien, Patriotismus, Terrorismus, Transformation, Trauma, Verbrechen

„Ich komme mit einem Bart”, simst er, kurz darauf öffnet sich die Tür des Cafés Sankt Oberholtz in Berlin-Mitte. Herein stürmt, gekleidet in einen schlichten Parka und mit langem schwarzen Haar, ein Abbild Che Guevaras. Es ist nicht nur der Bart. Der Mann glüht wie ein...

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François  Bucher

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crossroads:
borderline experience, civilisation, colonialism, ecology, identity, perception, post-colonialism, ritual, spirituality, stereotype, technology, transgression
genre (subgenre):
Visual Arts (drawing, installation art, mixed media, video art)
information provided by:
House of World Cultures

The exhibition "Rational / Irrational" in the House of World Cultures is darkened to a pitch black. Those who enter the exhibition hall are drawn towards an unearthly, white, plastic UFO. Its inner circle contains drawings, its outer ring invites the observer to sit down. Visitors, if...

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other language:
deutsch
Crossroads:
Ökologie, Überschreitung, Grenzerfahrung, Identität, Kolonialismus, Postkolonialismus, Ritual, Spiritualität, Stereotyp, Wahrnehmung, Zivilisation
Genre (Subgenres):
Bildende Kunst (Installation, Multimedia, Videokunst)

Die Ausstellung „Rational / Irrational“ im Haus der Kulturen der Welt ist tiefschwarz abgedunkelt. Wer die Ausstellungshalle betritt, steuert auf ein überirdisch weißes Kunststoff-Ufo zu. Im inneren Ring sind Zeichnungen eingelassen, der äußere Ring lädt zum Sitzen ein....

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Juan  Downey

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Images Video  
crossroads:
Aids, body, borderline experience, death, gender, technology
genre (subgenre):
Media Arts (multi media installation)
Performing Arts (dance, performance, theatre)
information provided by:
House of World Cultures

Dumb Type is an artists´ collective founded in 1987 in Kyoto. It is committed with unparalleled resolve to the interaction of new technologies and the performing arts, thus transforming all reminiscence of local tradition. This interdisciplinary project includes composers, dancers, engineers,...

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other language:
deutsch
Crossroads:
Aids, Gender, Grenzerfahrung, Körper, Technologie, Tod
Genre (Subgenres):
Medienkunst (Multimediainstallation)
Performing Arts (Performance, Tanz, Theater)

Das 1987 gegründete Künstlerkollektiv aus Kyoto widmet sich mit einer unvergleichlichen Konsequenz den neuen Technologien und deren Einfluss auf die Bühnenkünste und transformiert damit jede Reminiszenz an eine lokale Tradition. Das interdisziplinäre Projekt aus...

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crossroads:
animals, borderline experience, censorship, corruption, deconstruction, environment, religion, violence
genre (subgenre):
Visual Arts (environmental art, installation art, painting)
information provided by:
Visiting Arts

Latvian artist, Mikelis Fisers, was born in Riga in 1970 where he lives and works. Prominent among the younger generation of Latvian artists, Fisers is robust and unequivocal in his visceral engagement with controversial social and political issues. Painting is a central aspect to his work which...

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crossroads:
borderline experience, civilisation, contrast
genre (subgenre):
Performing Arts (installation)
information provided by:
DCCD

Gimhongsok is a Korean installation artist, co-ordinator and entertainer. His works has been exhibited at the Venice Biennale.

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Images  
crossroads:
body, borderline experience
genre (subgenre):
Performing Arts (performance)
information provided by:
House of World Cultures

The Brazilian action artist Michel Groisman stages his own body in sculptural motion-pictures designed for art galleries and museums. With the machines he constructs, he relates the movements of parts of his body one to another in extremely slow sequences of movements. In other projects, Groisman...

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other language:
deutsch
Crossroads:
Grenzerfahrung, Körper
Genre (Subgenres):
Performing Arts (Performance)

Der brasilianische Aktionskünstler Michel Groisman inszeniert seinen Körper in skulpturalen Bewegungsbildern, die für Kunsthallen und Museen konzipiert sind. Mit den "Maschinen", die er konstruierte, verbindet er seine Körperteile in extrem verlangsamten...

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Michel Groisman

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crossroads:
borderline experience, language, power, stereotype, transformation
genre (subgenre):
Visual Arts (drawing, object, performance, video art)
information provided by:
Visiting Arts

Arunas Gudaitis was born in Vilnius, Lithuania in 1973 where he lives and works. He studied in the sculpture department of Vilnius Academy of Arts. His work addresses issues of power, language and transformation. He both comments on and seeks to find new ways of communicating with society.

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