4 results for You searched for crossroad (terrorism), genre (), language (Danish, English, German, Swedish), page  page 1 of 1

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crossroads:
borderline experience, crime, love, media, Patriotism, Society, terrorism, transformation, transgression, trauma, violence, war
genre (subgenre):
Visual Arts (Film)
information provided by:
House of World Cultures

"I come with a beard," he texts, shortly later the door opens to Café Sankt Oberholtz in Berlin’s Mitte. He storms inside, dressed in a simple parka and long black hair, the very image of Ché Guevara. It is not just the beard. The man glows like a revolutionary. He sits down...

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other language:
deutsch
Crossroads:
Überschreitung, Gewalt, Krieg, Liebe, Medien, Patriotismus, Terrorismus, Transformation, Trauma, Verbrechen

„Ich komme mit einem Bart”, simst er, kurz darauf öffnet sich die Tür des Cafés Sankt Oberholtz in Berlin-Mitte. Herein stürmt, gekleidet in einen schlichten Parka und mit langem schwarzen Haar, ein Abbild Che Guevaras. Es ist nicht nur der Bart. Der Mann glüht wie ein...

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François  Bucher

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crossroads:
corruption, crime, dictatorship, irony, love, politics, power, terrorism, war
genre (subgenre):
Written and spoken word (journalism, novel)
information provided by:
House of World Cultures

Cautious. The man is extremely cautious and reserved. No sarcastic, fiery catchphrases about the current situation in Pakistan. Mohammed Hanif chooses his words carefully, his goal is clear, he does not want to provoke a scandal and have the Pakistani censors on his back. He is on guard like a...

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other language:
deutsch
Crossroads:
Diktatur, Ironie, Korruption, Krieg, Liebe, Macht, Politik, Terrorismus, Verbrechen
Genre (Subgenres):
Geschriebenes & gesprochenes Wort (Journalismus, Roman)

Vorsichtig. Der Mann ist extrem vorsichtig und zurückhaltend. Keine sarkastischen, flammenden Sätze, um die aktuelle Situation in Pakistan zu kommentieren. Mohammed Hanif tastet seine Worte ab, mit dem klaren Ziel, keinen Skandal zu provozieren und die pakistanische Zensur nicht auf den...

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Mohammed Hanif

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crossroads:
terrorism, war
genre (subgenre):
Visual Arts (sculpture, video art)
information provided by:
House of World Cultures

Jon Kessler’s recent work is indebted to both the Korean video artist Nam June Paik and the Swiss sculptor Jean Tinguely from Basel. His kinetic sculpture ‘The Palace at 4 a.m.’ contains flickering monitors, red surveillance cameras, perforated sheeting, plastic figures, postcards and photographs...

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other language:
deutsch
Crossroads:
Krieg, Terrorismus
Genre (Subgenres):
Bildende Kunst (Bildhauerei, Videokunst)

Der koreanische Videokünstler Nam June Paik und der für seine beweglichen Skulpturen bekannte Basler Bildhauer Jean Tinguely stehen Pate für Jon Kesslers jüngere Arbeiten. In der kinetischen Skulptur „The Palace at 4 A.M.“ flackern Bildschirme, rotieren Überwachungskameras,...

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crossroads:
metropolises, modernity, terrorism
genre (subgenre):
Visual Arts (photography)
information provided by:
DCCD

Chen Shaoxiong is a young installation artist, reflecting modern China - with video, photo, etc.

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Chen Shaoxiong